Could the future of architecture lie in our reconnection with nature? This year, the Türkiye Pavilion at the Venice Architecture Biennale seeks answers to this very question through the thought-provoking exhibition titled “The Grounded”
Coordinated by the Istanbul Foundation for Culture and Arts (İKSV) and curated by Ceren Erdem and Bilge Kalfa, The Grounded treats soil not merely as a building material, but as a way of thinking — a medium for learning, reflecting, and envisioning new possibilities.
Thinking with Soil: An Interactive Architectural Experience
The Grounded invites visitors to feel, sense, and reconnect with the earth. As an interactive installation, the exhibition offers an inspiring vision for sustainable, resilient, and ecologically harmonious ways of building and living.
Through this work, the curators propose a bold and timely idea: Soil is not just a surface we stand on — it is a shared ground from which we can build the future.
A Collective Creation: Contributors & Collaborators
The Grounded is the result of a rich collective effort. Individual contributors include Hüseyin Aksoy, Michael Akstaller, E. Füsun Alioğlu & Senem Akçay, Ali Mahmut Demirel, Sinem Dişli, Yelda Gin, Ali Miharbi, Özgül Öztürk, Serkan Taycan, and Orkan Telhan.
Team contributors feature Bire-Pan, Common Action Walls, Herkes İçin Mimarlık & Poçolana Works, Mono Earth, Ozruh, Rec II, ReYard House, Solidified, and Yalın Mimarlık, all of whom enrich the exhibition with diverse perspectives and practices.
See You in Venice on May 10!
Recognized as one of the world’s most prestigious architectural events, the Venice Architecture Biennale opens its doors on May 10, 2025, and will run until November 23.
At Stoneline, we are proud to be part of this powerful narrative — one where architecture reunites with nature and where the voice of the earth becomes part of the design.
Stoneline hosted MEF University Faculty of Architecture students in its showroom in an event organised to transfer its expertise in natural stone to future generations. This special visit offered an important opportunity for students to reinforce their sectoral knowledge and gain in-depth knowledge about natural stones.
Journey of Natural Stones: From Rock to Structure
In the first part of the visit, Stoneline Geological Engineer Kadir Akyıldırım made a special comprehensive presentation to the students. In the presentation; natural stone types, the production process from the extraction of stones to processing, and details were explained in all stages. While the students had the opportunity to get to know many types of natural stones from marble to travertine, granite to limestone, they were equipped with critical information such as how these stones are used in different structures and which technical details should be taken into consideration.
Showroom Tour: Carefully Selected Stones from Turkey and the World
Following the training, the students took a comprehensive tour of Stoneline’s impressive showroom. In this section, natural stone samples extracted from all over Turkey and high quality stones imported from different parts of the world were closely examined. Students had the opportunity to see and touch the surface textures.
A Meeting Inspiring Young Architects
For the students, this meeting has become an inspiring experience where they can not only gain technical knowledge but also have direct contact with the sector and shape their interests. As Stoneline, we are happy to bring young architecture candidates together with the subtleties of the natural stone world.
Stoneline hosted Medipol University Department of Urban Design and Landscape Architecture students in its showroom to explore the role of natural stone in architecture and landscape design. The visit offered young designer candidates a rich insight into the aesthetic, structural and environmental effects of natural stone.
Design with Natural Stone: Harmony of Function and Aesthetics
Within the scope of the event, Kadir Akyıldırım, Stoneline’s experienced Geological Engineer, gave a detailed presentation on all stages starting from the formation process of natural stone to its extraction, processing and integration into projects. Students gained comprehensive information about the types of stone used in landscape projects, outdoor durability, ecological compatibility and the criteria to be considered in material selection. This information forms the cornerstones of creating both functional and visually sustainable designs.
Showroom Tour: Face to Face with the Aesthetics of Nature
Following the presentation, the students had a comprehensive tour of the showroom, which contains Stoneline’s rich collection. Turkey’s natural stone richness inspired the students both culturally and aesthetically. The variety of different surface textures, colour palettes and textures allowed the students to explore the creative possibilities offered by natural stone in landscape architecture.
An Inspiring Experience for Young Designers
While raising awareness about the use of natural materials, this visit also provided students with in-depth information about the material details they may encounter in real projects. As Stoneline, we find these ties with design-oriented departments very valuable; we are happy to introduce young architects and designers to the timeless power of natural stone.
Why was this meeting important?
Exploring the role of natural stone in landscape design
The effect of material selection on spatial design was discussed
Students met with practical knowledge
The importance of natural materials and environmental harmony was emphasised
A Guide to Selecting the Ideal Variety for Your Design Needs
With its stunning colors, durability, and versatility, quartzite is a popular choice for countertops and surfaces – but how do you choose the right type for your project?
Quartzite is a natural stone that has gained immense popularity in recent years due to its unique characteristics and benefits. It is a metamorphic rock that is formed when sandstone is subjected to high pressure and heat, resulting in a dense and durable material. Quartzite is available in a wide range of colors, including white, gray, beige, blue, green, pink, red, and multicolor varieties, making it a versatile option for various design needs.
However, with so many options available, selecting the right type of quartzite can be overwhelming. In this article, we will provide a comprehensive guide to help you choose the perfect quartzite for your design needs.
Understanding Quartzite Varieties
Quartzite comes in a wide range of colors, each with its unique characteristics and patterns. Some popular white and light quartzite options include Taj Mahal, White Macaubas, and Mont Blanc. For gray tones, consider White Macaubas, Sea Pearl, or Mercury Gray quartzite. Blue quartzite varieties include Azul Macaubas, Blue Lagoon, and Azurra Bay. Green quartzite options include Emerald Quartzite Dark and Verde Karzai.
If you’re looking for a marble-like look, Calacatta Macaubas and Calacatta Lux quartzite mimic marble veining. Exotic multicolor quartzites include Fusion, Botticelli, and Galapagos. These unique varieties can add a touch of elegance and sophistication to any space.
Considerations for Choosing the Right Quartzite
When selecting a quartzite, there are several factors to consider. One of the most important considerations is the level of movement or veining desired. Some quartzites have subtle patterns, while others are more dramatic. If you prefer a subtle look, consider a quartzite with minimal veining. However, if you want to make a statement, a quartzite with bold veining can be a great option.
Another important consideration is durability and hardness. Harder, more crystalline quartzites like Taj Mahal are extremely durable but can be challenging to fabricate. Softer, more grainy quartzites may require more frequent sealing but are easier to work with.
The application of the quartzite is also an important consideration. For high-traffic areas like kitchens, choose a harder, more durable quartzite variety. For a luxurious bathroom, consider a quartzite with elegant veining like Calacatta Macaubas. Outdoor applications require a UV-resistant quartzite that can withstand the elements.
Popular Quartzite Options for Different Design Styles
Quartzite can be paired with various design styles to create a unique and elegant look. For a timeless and neutral look, opt for white, beige, or light gray quartzites. These colors are versatile and can complement any design style.
For a bold and colorful look, consider exotic multicolor quartzites like Fusion, Botticelli, and Galapagos. These unique varieties can add a touch of elegance and sophistication to any space.
If you’re looking for a marble-like look, Calacatta Macaubas and Calacatta Lux quartzite mimic marble veining. These quartzites are perfect for creating a luxurious and elegant look.
Trending Quartzite Colors for 2025
According to recent trends, white, gray, and blue tones are popular quartzite colors for 2025. These colors are versatile and can complement any design style. For a timeless look, opt for neutral quartzite colors like white, beige, or light gray.
Factors to Consider When Selecting a Quartzite
When selecting a quartzite, there are several factors to consider. One of the most important factors is translucency. Some quartzites can be backlit for dramatic effect, adding an extra layer of elegance to any space.
Another important factor is the finish of the quartzite. Polished, honed, and leathered finishes are available, each with its unique characteristics. Match the quartzite’s finish to your design preferences to create a cohesive look.
Finally, it’s essential to view full slabs in person when possible. Colors and patterns can vary significantly, and seeing the quartzite up close can help you make a more informed decision.
Conclusion
Choosing the perfect quartzite can be overwhelming, but by considering the factors mentioned above, you can make an informed decision. Remember to consider the level of movement or veining desired, durability and hardness, application, and design style.
Quartzite is a versatile and elegant natural stone that can add a touch of sophistication to any space. With its unique characteristics and benefits, it’s no wonder why quartzite is a popular choice for countertops and surfaces.
By following this guide, you can select the perfect quartzite for your design needs and create a unique and elegant look that will last for years to come.
Natural Quartzite Elegance in Contemporary Hotel Design
Natural quartzite has become a hallmark of refined hospitality interiors, offering a perfect blend of durability, texture, and visual depth. In a recent hotel project, carefully selected quartzite stones were used to bring character, contrast, and cohesion to various architectural elements — from wall claddings to flooring and bespoke details.
Featured Quartzite Stones
Bojole Quartzite: With its soft, warm grey tones and subtle movement, Bojole offers an elegant and understated backdrop for modern spaces.
Graphite Quartzite: A deep and dramatic surface with rich charcoal tones, perfect for creating sophisticated and bold contrasts in interiors.
Titanium Quartzite: Known for its dynamic veining and metallic highlights, Titanium introduces a sense of movement and luxurious energy.
Tobacco Quartzite: Earthy brown hues with layered textures, adding warmth and natural depth to the environment.
Together, these stones demonstrate how natural quartzite can transform a hotel space into a timeless and immersive experience. Each slab brings its own story, yet all contribute to a cohesive aesthetic grounded in nature, luxury, and enduring quality.
To see more details about how these materials were applied in a hospitality setting, click here.
Final Thoughts
Quartzite is a natural stone that offers a unique combination of durability, versatility, and elegance. By considering the factors mentioned above, you can select the perfect quartzite for your design needs and create a unique and elegant look that will last for years to come.
Remember to view full slabs in person when possible, and don’t hesitate to ask for advice from a professional. With the right quartzite, you can create a space that is both functional and beautiful.
Glossary
Metamorphic rock: A type of rock that is formed when existing rocks are subjected to high pressure and heat.
Veining: The patterns or lines that appear on the surface of a quartzite.
Translucency: The ability of a quartzite to allow light to pass through.
Finish: The surface texture of a quartzite, including polished, honed, and leathered finishes.
The theme of the competition is to design a paladian-style terrazzo composition. The theme is open-ended.
What is Palezzo?
We have named our artisanal paladian-terrazzo creations “Palezzo.” Taking a new approach to paladian flooring, which was fashionable in Europe and worldwide in the 1960s, we primarily use waste stones. We produce either prefabricated slabs or on-site poured terrazzo.
In on-site pouring, stones are placed on the ground, an epoxy-based mixture is poured over them, and the surface is polished. This type of application allows up to 40 m² of seamless coverage. If the terrazzo application is for a wall covering or casting is not feasible on-site, stones are arranged in a mold, the mixture is poured over them, and slabs are produced. The slabs are then cut to size and installed like tiles.
The maximum mold (slab) size is 120×240 cm.
Components of Palezzo:
Epoxy-based mixture: Known as epoxy matrix, this mixture determines the background color of Palezzo and can be selected from any color chart (RAL, NCS, etc.).
Aggregate: These are small crushed stones, ranging in size from 0.7 mm to a maximum of 12 mm. The selection of aggregates affects the color perception of the design and should be chosen accordingly.
Stone pieces: These are the main elements forming the composition in paladian-style terrazzo. Depending on the design, the stones may have clean-cut edges or be broken using techniques such as hammering or guillotine cutting.
Objective of the Competition
Organized by Stoneline, this competition aims to create new compositions for our artisanal paladian-style terrazzo collection called Palezzo. Prototypes of the works that make it to the second stage will be produced.
Competition Type and Format
The competition is an idea project competition for students, organized by Stoneline – Palezzo. Participation is free of charge.
Competition Process
Participants are expected to create a new Palezzo composition that has not been previously designed or produced.
Palezzo is offered to architects and designers as a customizable product, allowing them to modify the background color (epoxy matrix), stone colors, and even aggregates. However, the resulting product will be unique. In the second stage, selected designs will be dry-laid by the designers, and the stones will be arranged in molds at our showroom workshop in Ayazağa.
Expectations for Stage 1:
A Palezzo composition design in a 50×50 cm format.
The design should be presented in an A1-sized poster (hand drawing, collage, or digital print).
The 1:1 scale drawing should specify the type, color, size, and shape of the stones, and the composition should be accurately colored.
The epoxy matrix color should be selected and specified with a RAL or NCS code.
Aggregate selection is optional in this stage and can be finalized in the second stage.
Workshop Activities in Stage 2:
Arranging pre-cut or workshop-broken stones into molds (dry-lay process).
Fixing stones in the mold to prevent shifting during casting.
Selecting aggregates (optional; initial selections can be revised).
Determining aggregate ratios to finalize the preparation for casting.
Materials to be Used:
Stone Selection: Participants must select stones from the following list (one or multiple):
Marmara (gray)
Dolomite (white)
Uşak green
Yellow travertine
Beige travertine
Pink travertine
Greige
Salvadori
Lilac
Black Marble
Stone sizes may range from 2-20 cm. If broken stones are used in the design, they will be broken during the workshop, so there may be slight differences from the original design. The main concept must be maintained.
Epoxy Matrix Mixture: The epoxy matrix color chosen by the participant will be prepared in advance (must be selected from the RAL or NCS chart).
Aggregate (small stone pieces) Options:
White: 1-6 mm (1 mm, 1-3 mm, or 3-6 mm)
Red: 1-6 mm (1 mm, 1-3 mm, or 3-6 mm)
Black: 1-4 mm (1 mm or 2-4 mm)
Yellow onyx: 1-6 mm (1 mm, 1-3 mm, or 3-6 mm)
Green: 1-6 mm (1 mm, 1-3 mm, or 3-6 mm)
If you have any questions, please send them to [email protected]. We wish you success, we look forward to your valuable work.
The competition is open to undergraduate and graduate students enrolled in fine arts, interior architecture, and architecture programs at universities accredited by the Higher Education Council in Turkey and the TRNC.
Participants must be under 25 years old and provide proof of student status for the 2025-2026 academic year.
Only individual participation is allowed.
Close relatives of jury members, consultants, and organizers cannot participate.
Each participant can submit only one composition.
Submissions must be original and not previously published or produced.
Submission Requirements:
A1-sized poster (84 x 59.4 cm) presented vertically.
The upper right corner of the poster should feature a 5-digit pseudonym.
The composition must be drawn at a 1:1 scale in 50×50 cm format.
A sealed envelope labeled with the pseudonym, containing the participant’s identity information.
A USB drive containing all submission documents.
Rules: During the competition, no competitor should communicate with the jury members and rapporteurs about the competition. All questions about the competition should be sent via e-mail to [email protected] with the subject line ‘Palezzo design competition’ within the period specified in the competition calendar.
Contestants are deemed to have accepted the provisions of the specification, to comply with the provisions, to share their personal information, and to be notified via their contact information.
Compositions that do not comply with the principles of the conditions of participation in the competition in the competition specification, that have a sign that will identify the identity of the owners of the work anywhere in the submitted competition documents, that are incomplete or delivered late are excluded from the evaluation by the decision of the jury, provided that they are recorded in the minutes.
Contestants agree that the usage rights of their compositions belong to Stoneline.
Competition Timeline:
Announcement: March 18, 2025
Final date for questions: April 4, 2025
Answers to questions published: April 10, 2025
Submission deadline: June 2, 2025
Stage 1 jury evaluation: June 12, 2025
Announcement of results & Stage 2 invitation: June 12, 2025
Workshop: June 14, 2025
Stage 2 jury evaluation: June 18, 2025
Final results announcement: June 20, 2025
Exhibition & Award Ceremony: June 20, 2025
Announcement of the competition, questions and results All information and announcements about the competition are published on the Stoneline and Palezzo website.
Contact details of the competition and place of submission Stoneline Building Products Inc. Mimar Sinan Mah. Sarı Lale Sok. No:4/A 34075 Ayazaga-Eyüpsultan Istanbul
Delivery information A copy of the receipt (showing the date and time of shipment) of the projects sent by cargo must be sent to the e-mail address of the rapporteurship until 17:00 on Monday, 2 June 2025, which is specified as the ‘Deadline for submission of projects’ in the competition calendar.
Delivery address by hand or by courier: Stoneline Building Products Inc. Mimar Sinan Mah. Sarı Lale Sok. No:4/A 34075 Ayazağa-Eyüpsultan Istanbul
Selection committee members
Consultant jury members
Arzu Bayrak
Mehmet Bayrak
Levent Özen
Özlem Karma
Principal jury members
Arif Özden
Eren Bayrak
Gül Ökten
Kerem Erginoğlu
Mustafa Toner
Nuray Uygur
Şebnem Buhara
Yeşim Bakırküre
Substitute jury members
Ceren Erman
Hasan Arslan
Awards:
Stage 1: 7-10 finalists will be selected, each awarded 7,000 TL.
Stage 2:
1st Prize: 50,000 TL
2nd Prize: 30,000 TL
3rd Prize: 20,000 TL
Accommodation and transportation for Stage 2 finalists in Istanbul will be covered by the organizers.
As Stoneline, we are excited to be a solution partner for projects that push the boundaries of design and enrich aesthetic experiences.
Within the scope of our architectural office visits in this direction, we were guests of Gönye Project Design today. We had an efficient presentation where we shared our collections, designs and application areas.
We would like to thank Gönye Project Design team for their hospitality and interest!
Stoneline, as always, continues its growth journey by combining aesthetics with technology, art with strategy. Last 11 January, our team held a Co-Creation Workshop under the leadership of Ahmet Akın. This event, which opened the doors of a new era in brand strategy, shaped the future steps of Stoneline with the synergy and creative solutions of all our teammates.
What Happened in the Event? In the workshop conducted with the expertise of Ahmet Akın, the Stoneline team came together to generate innovative ideas, strengthen team dynamics and develop strategies to move the brand’s natural stone collection forward. The event allowed the teams to unlock their individual and collective potential with the active participation of the participants.
During the workshop
Visioning: New vision studies were carried out to strengthen Stoneline’s position in the sector.
Creative Solutions: Participants from different disciplines produced original and effective solutions.
Cohesion and Communication: Team members built a strong culture of co-operation and worked towards common goals.
As Stoneline, we are proud to contribute to the excavations of the ancient city of Knidos.
The work carried out in this unique ancient city in cooperation with Selçuk University and the Ministry of Culture and Tourism not only brings history to light, but also allows us to preserve our cultural heritage and carry it into the future.
Join this journey with us and witness the historical richness of Knidos!
N order to contribute to the recognition of natural stone, Stoneline has provided its training for architectural and interior design for the students of Istanbul Technical University this time. A tour of the Stoneline Central Showroom, led by Dr. Serkan Angı, has been organized in the year of 2020 with the participation of nearly 20 students.
A presentation regarding natural stone types, production and process of stone has been conducted by Kadir Akyıldırım, a Geological Engineer of Stoneline, afterwards, Architect Doğan Sancar who is the Project Manager of Stoneline, has transferred his knowledge and experience concerning the applications and details of natural stones in buildings, to students with his presentation.
After the training, the tour is completed by examining the various types of natural stones of Turkey and imported products in the Showroom.
The special series of photographs “Colors in My Pocket” have been shot on smartphone by graphic design artist and photographer Cem Günübek.
“Art in Stone”; an exclusive collection of 35 pieces, a selection from “Colors in My Pocket” will take you to a universe of infinite colors and shapes.
The artist has captured hundreds of detail photographs in the rich natural stone stocks of Stoneline in the last two years. The photographs selected for this exhibition have numbers only.
The exhibition “Colors in My Pocket” consisting of the artist’s works can be visited at Stoneline Art Gallery.
Stoneline Art Gallery
About Cem Günübek;
In 1983, he graduated from Graphic Design of the Faculty of Fine Arts in Mimar Sinan University of Fine Arts (State Academy of Fine Arts in Istanbul). He offered services as creative director in the field of advertising in the agencies he established. He accomplished more than 200 projects of books and book covers. He carries on his work as graphic artist and creative director in Istanbul. He shares his photographs that are his field of interest and expertise in social media.
In AURA Istanbul (The Istanbul Architecture & Urbanism Research Academy), member of the advisory board as director of corporate identity and creative consultant
In Stoneline, director of corporate identity and creative consultant
In Beykent University, Graphic Design and Department of Visual Communication, part-time instructor
Since its founding, Stoneline has supported AURA-Istanbul Architecture and Urbanism Research Academy. Now AURA is in cooperation with D-Koy for AURA Summer Academy which is being held in the village of Doganbey, Soke. A historical journey by AURA Summer Academy has started to the ancient towns OF Priene, Dydima, Miletos and Aphrodias for the crossroads of art, architecture and archeology.
About Aura İstanbul;
AURA Istanbul is a non-profit organization.
The Academy provides an intensive one semester research program for participants who are interested in architecture, urban design and urban landscape. The Academy emphasizes the exploration of architecture as a mode of cultural production, and aims to develop researchers’ understanding of the engagement of the built environment with broader social, political, and environmental systems.
The Academy is dedicated to accommodating a diversity of interests, and to providing both the physical and educational space for researchers to explore their individual objectives in a supportive studio environment.For more information, you can visit www.aura-istanbul.com
As Stoneline, with our commitment to culture and arts, we are proud to once again support the Istanbul Music Festival organized by IKSV. In addition to days full of art and music, this festival is a perfect platform for cultural interaction and sharing. This year, as a sponsor of the 52nd Istanbul Music Festival, we presented two unique concerts.
An Enchanting Night at Sent Antuan Church
Our first concert took place in the historic Church of St. Antuan. In this mystical venue, the mesmerizing performance of baritone Benjamin Appl and accordion virtuoso Martynas Levickis gave the audience unforgettable moments. This impressive music feast, combined with the atmosphere of the church, deeply moved everyone.
Unforgettable Moments with “Time Travel”
In our second concert, saxophonist Asya Fateyeva and baroque ensemble Lautten Compagney Berlin’s “Time Travel” project attracted great attention. As part of this project, we hosted the world premiere of “Dancing Queen”. This innovative and mesmerizing performance was one of the most talked about events of the festival.
We are delighted to support art and music and honored to contribute to this important festival! ✨
As Palezzo, we left another Maison Objet Fair behind with pleasure… It was a great honor for us to have the opportunity to meet you, our esteemed visitors, and to see your interest in our designs.
While we presented aesthetics and quality together with our sustainable understanding with our collections we exhibited at our stand during the fair, we also had pleasant conversations about the latest trends and technological innovations in the sector. We sincerely thank you for your participation and for taking your valuable time to visit us.
In the future, you can contact us at any time for any information and questions about our products.
We know very well how tiny details make huge differences in projects and it’s our objective to present the best state of stone to all of our customers. For this reason, slab quality control starts with placing the block on the gangsaw.
We carefully monitor all actions from cutting the block to turn it into a slab to make sure that slabs enter the quality control process at their best shape.
The size, thickness, pattern, surface finish, smoothness and many other criteria are checked during quality control which is followed by filling the quality control form. Then we take photos of each slab. In case of stones with frequent pattern variations, we support photos with videos. Then, all photos and videos are shared with the customer. The purpose here is to reflect the status of slabs to the customer – whether a distributor or a project owner. In this way, customers are assured whether slabs will fit to the project and the collection or not.
The slabs that pass quality control (inspection) successfully and approved by the customer are then bundled and dispatched. During loading of the bundles, all actions are again recorded with photos and reported to the customer.
As Stoneline, with our passion for culture and art, we are delighted to once again support the Istanbul Music Festival organized by IKSV. The festival has become a meeting point for art, music, cultural interactions, and sharing, in addition to its days filled with art and music.
As the sponsor of the 51st Istanbul Music Festival, we had the opportunity to connect with art enthusiasts through two special concerts.
Our first concert took place in the impressive atmosphere of the French Palace. Les Vents Français & Éric Le Sage treated us to an unforgettable evening with “French Winds”
Our second concert, the world premiere of “Women Have Waited Long Enough” a three-part composition written by female composers from the Netherlands, Turkey, and Iran,
took place in the magical atmosphere of the Basilica Cistern and became one of the most exciting concerts of the festival.
Looking forward to meeting again in music-filled days!
The second book of STONELINE Publications, Turkey’s first publishing house focused on natural stone, “Natural Stone Guide for Architects” has been published.
STONELINE Building Products, the leading brand of the Turkish natural stone industry; continues to support education, culture and art with its initiative in the field of publishing. The second book of the publishing house, “Natural Stone Guide for Architects”, is a reference source for architects, interior architects, engineers, natural stone practitioners, academics and students who need basic information about the process that starts with the decision to choose the right stone for the use of natural stone in buildings. “Which natural stone should be used where?” The book, which aims to give the right answer to the question, was written by experienced architects, academics and industry experts.
natural stones; It is the most important building material that has been widely preferred and used since the ancient period as the main structure, flooring and covering element in buildings. Natural stones add significant value to the architectural and aesthetic identity of the buildings, thanks to their rich variety of types, colors and patterns, as well as their durability and long service life. “Natural Stone Guide for Architects” aims to convey the basic information that may be needed regarding the use of natural stone in architecture as a building material, with references from history.
In the “Natural Stone Guide for Architects”, the formation, production and processing process of natural stone from block to cladding; important structures that have left their mark in the history of architecture and the place and importance of natural stone in the history of architecture; natural stone selection criteria in architecture; indoor and outdoor usage areas from residence to public area; design methods and construction principles; principles of deterioration, cleanliness and preservation; evaluation methods in terms of sustainability, numerical data on natural stone resources of our country and more are presented with texts written by experts. In the “Types of Natural Stones” section, examples of widely used natural stones of different types and origins are included with their technical specifications. At the end of the book, there is a comprehensive glossary with explanations of technical terms related to natural stones.
Dr. In the book, which was edited by O. Serkan Angı, edited by Gülçin İpek, and graphically designed by Cem Günbek, information about the process from the selection of natural stone to its use is provided by Dr. O. Serkan Angı, Assoc. Dr. Demet Arslan Dinçay, Prof. Dr. Genco Berkin, Assoc. Dr. Deniz Aslan, Prof. Dr. A. Nil Türkeri, M. Architect Canan Baş, Prof. Dr. Written by Seden Acun Özgünler. Evren İyigönül and Nuray Saatçioğlu Uygur from the STONELINE Building Products expert team also shared their application experiences with the reader. At the end of the book, Prof. Dr. There is also a comprehensive dictionary containing explanations of technical terms related to natural stones prepared by Emin Çiftçi.
STONELINE Publications, whose editor-in-chief is Architect Gülçin İpek, considers the “Natural Stone Guide for Architects” as a first step towards the subject and aims to fill an important gap in the natural stone literature by constantly updating and developing new titles to be added in line with the needs and suggestions in future new editions of this study. aims.
With texts accompanied by nearly 1,000 photographs and technical detail drawings, the book informs the reader about the use of natural stone in architecture. The book is offered for sale at www.yemkitabevi.com and bookstores.
Natural Stone Guide for Architects Editor : O. Serkan Angi Episode Writers: O. Serkan Angı, Demet Arslan Dinçay, Genco Berkin, Deniz Aslan, Evren Iyigönül, A. Nil Türkeri, Canan Baş, Seden Acun Özgünler, Nuray Saatçioğlu Uygur Editorial Director: Gulcin Ipek Book Design : Cem Günübek Technical Advisor: Neslihan Gucmen, Architect Publisher : STONELINE Publications Type : Architecture, Design, Construction Techniques, Construction Materials Skin info : Thread stitched Paper : Matt coated, 130 gr Color status : Colorful Print date : March 2023 Number of prints : 1st Edition Number of pages : 406 Size : 15×19 cm
About STONELINE PUBLICATIONS: STONELINE Building Products aims to promote natural stone through books to be published in line with a publication program, to enrich the literature in this field, and to support academic research that is a source by establishing a publishing house with a sense of social responsibility. www.ocm7ohqbio-staging.wpdns.site The first book of STONELINE Publications, “Natural Stone Facades / Planning Principles, Projects and Structures” was published in 2022.
The new series of our Palezzo collection, which we started to offer original, artistic, artisanal flooring and wall covering alternatives that complement designs, met with designers at Maison & Objet 2023 Fair, one of the leading fairs of the design world.
While the latest trends in the decoration world were discovered at the Maison&Objet Fair, which is held every year in January and September, the visitors of the fair had the chance to get to know and examine brands and designs from different countries.
We thank all our exhibitors and visitors for their interest.
“Natural Stone Facade / Principles of Planning, Projects and Constructions”
The leading brand of the Turkish natural stone industry STONELINE established “STONELINE Publishing” to produce reference books about natural stones.
STONELINE Publishing became the first publisher in Turkey that focused on natural stones. The first book of the publisher, “Natural Stone Facade / Principles of Planning, Projects, and Constructions” was prepared in two languages in collaboration with the German publishing house DOM Publishers and presented for sale.
Celebrating its 25th anniversary this year, the leading brand of the Turkish natural stone industry, STONELINE Construction Products, has added a new contribution that the company has given to education, culture, and art since its establishment process, with its initiative in the field of publishing. STONELINE Publishing which structured as part of a social responsibilityconception, aims to support academic researches and enrich the literature in the field with the help of reference books as a “publishing house specializing in natural stones”.
The first book of STONELINE Publishing, “Natural Stone Facades / Principles of Planning, Projects and Constructions” was prepared in both languages, Turkish and German in collaboration with the German publishing house DOM Publishers, and was simultaneously printed and published in Turkey. The book which written by architect and editor Konstantin Krüger; also enriched with texts by Philipp Meuser (Prof., Architect), Hermann Graser (German Natural Stone Association, President of DNV) and Tobias Nöfer (Architect).
In the book, apart from informative texts written about theory and practice, selected projects of architectural offices operating in the international arena are analyzed one by one by Editor Krüger and presented with detailed drawings, photographs and texts which explaining the design principles. Among the 23 projects selected from 15 different world cities, including Istanbul, Izmir and Mugla, projects of five architectural offices from Turkey such as EAA-Emre Arolat Architecture, Atelier Han Tumertekin, Erginoglu&Calıslar, Teget Architecture, DDA – DILEKCI Architecture are also included.
Mehmet Bayrak, Chairman of the Board of STONELINE Construction Products, stated that their company has contributed to education, culture and art since the day it was founded, and that they established STONELINE Publishing as a thematic publishing house that focuses on natural stone, with a conception of social responsibility.
While stating that they have increased their contributions for education, culture and art several times in recent years, Bayrak also shared their conception of social responsibility in this regard with the following words: “If we want this world to be better, it could only be done through education, culture and art and I believe that a country that progresses in these fields will progress in every field. We support many projects to be in part of the education of children and youth in Turkey. We are also among the supporters of the Istanbul Culture and Arts Foundation and the founders and supporters of AURA-Istanbul Architecture and Urbanism Research Academy. We develop various projects with universities and host exhibitions of students. Now, with the establishing of our publishing house, we aim to contribute to the enrichment of the natural stone culture and literature by publishing in the field of natural stone and to support the field by publishing academic researches that written in this field.”
STONELINE Publications editorial director Gülçin İpek shared the following information about the publishing house: “We have established STONELINE Publications as “a publishing house specializing in natural stones”. We aim to contribute to the fields of architecture, interior architecture, culture, art, design, archeology and geology with the publications we prepare with a focus on natural stone, and to support academic researches that can turn into publications in these fields. ‘Natural Stone Facades’ is the first book of our publishing house. The book, which exemplifies the phases of natural stone from quarry to construction with references from history and contemporary practices, and will guide their correct use, was prepared simultaneously in two languages, German and Turkish. The books we will publish will deal with natural stones sometimes with their technical and sometimes with their cultural extents. Bringing books in different languages into Turkish is also among our goals.”
‘The Natural Stone Facades’ book aims to show the variety of applications of a natural stone as a material and to create a platform for discussion to guide its use in the right place and in the right way. At the same time, it is aimed to ease the process by pointing out the importance of cooperation between the investor (employer), the architect and the stone supplier. This cooperation has a great importance especially in the initial stages of planning.
This book; consists of five main sections covering current design trends and technologies in natural stone facade design, references and basic information from the history of architecture, design methods, a comprehensive and original analysis of built structures and their facades, the adventure of natural stones from block to construction, and main stone types.
Introduction to the Subject and New Trends
In the “Introduction”, Hermann Graser takes the reader on a broad tour of the horizon, from the current advantages of natural stone as a building material to its current applications, from traditional construction techniques to contemporary manufacturing methods. Under this title, the advantages and disadvantages of the main facade construction types are introduced by associating them with the building construction methods, while the use of different construction types together in the same project is explained with examples.
Theory and Fundamentals
Under the title of “Theory and Fundamentals”, Philipp Meuser, by taking the thousands of years of stone as a building material into consideration, he also seeks answer to his question of “Does contemporary architecture need to break its bond with this traditional material?” and draws a conclusion that the bond is should not be broken.
Designs with Natural Stones
Under the title of “Designs with Natural Stones”, Tobias Nöfer; As a continuation of the subject, closely examines the details between the subbasement and the roof eaves, such as molding, lesene and pilaster, column and pillaradornment and surface, corner and joint, both in terms of classical style language and plasticity in shaping.
Constructions and Facades
This section includes projects built in the last 20 years, as well as additional structures, renovations, repairs and reconstructions. The project range, which extends from a two-storey gable roof house to multi-storey residences, includes different typologies such as residences offices, hotels, schools and museums built with a reinforced concrete framed building system. Different facade types such as masonry walls, facade front walls, ventilated stone clad facades or self-supporting solid elements are exemplified in the selected projects. While each project is introduced with its main lines, almost from the urban planning scale to the joint details, with texts, photographs and photograph captions, the relationship between design and material is also examined. In terms of design approaches, the projects are examined by classifying them as projects that have an impressive position in terms of relief effect, emphasis on massiveness, scale and positioning from afar, their original relations with the environment, and the use of light and shadow effect.
Extraction and Processing of Natural Stones and Their Types
In the last part of the book, Graser and Krüger explain the processes of natural stone from quarry to cladding and the main natural stone types with the help of photographs.
The book ends with sample implementation plans. It is written in a language that even non-architect readers can easily understand with the help of texts accompanied by nearly 1,000 photographs and technical detail drawings. Although the book focuses on the use of natural stone on the facade, it also informs the reader in detail about natural stones.
Natural Stone Facades / Principles of Planning, Projects and Constructions
Size: 22.5 x 28 cm
Page: 304
Cover: Cardboard cover with side pieces
Author and Editor Konstantin Krüger
Chapter Writers Hermann Graser, Philipp Meuser, Tobias Nöfer
German Edition: DOM Publishers / ISBN 978-3-86922-210-3
STONELINE Construction Products aims to promote natural stone through books to be published in line with a publication program by establishing a publishing house with the awareness of social responsibility, to enrich the literature in this field, and to support academic researches that have characteristics of a source www.ocm7ohqbio-staging.wpdns.site
We are at the “Marmomac 2022 International Exhibition of Stone Design and Technology”, which will be held for the 56th time in Verona, Italy, between 27 – 30 September 2022! You can visit us at Hall 9 Stand D8.
We would like to thank all our guests who were with us on our special night, celebrating our 25th anniversary. We wish to be together in our future celebrations.
This year, it was a great pleasure for us to share the magic of natural stone with visitors from all around the world in Verona. As Stoneline, we extend our heartfelt thanks for the interest you showed in our stand and for the valuable feedback you provided. We had a fair filled with inspiring projects, new collaborations, and unforgettable memories! We look forward to our next meeting! Feel free to reach out to us anytime to connect or share your projects!
Stoneline
